The lucky cat image links to the Kawaii (cute) aesthetic, which Christopher suggests is now a channel for contemporary emotional expression, covering over the pressures of what he calls ‘24 hour capitalism’. The background is informed by danmaku or barrage video games; caffeine-fuelled visual and audio overloads which become abstract textures of stimulating feedback. Christopher again refers to these as representations and reflections of the overwhelming complexity of Platform Capitalism; the social media industry.